Turnaround.

I've decided to shoot Plus-X black and white on parts that are dimly lit. K40 will be used whenever possible to save costs. In post, I'll desaturate the K40 footage and add contrast to bring them to a similar look.

I've started reworking the script significantly. The new version will focus more on the cameraman as the main character, who encounters the various situations presented in the other script. It's going to have a more episodic feel, but also more isolated. Since he is alone most of the time, and only encouters other people as they are dead or dying, dialogue is rendered unnecessary.