I     m2M7 (1)
II    M2m7 (5)
III   m3M6 (12)
IV    M3m6 (20)
V     P4P5 (27)
VI    TT   (34)

Each of these 6 piano pieces were designed, and can be explained, either harmonically or melodically, by one of 6 possible intervals (or inversions). The intervals are: m2M7, M2m7, m3M6, M3m6, P4P5, and Tritone. Implied harmony and fragmented melody and harmony were used at times for justification. In fragmented harmony and melody these intervals are not necessarily used at the same time or next to each other, but can be seen in fragments throughout a phrase or group of phrases. Essentially, scales are formed with groups of these intervals. These pieces are dedicated with love to my beautiful children; Hannah, Abraham, and Eziah, through whom God has shown me many of the intervals of life.