A structure by Japanese architect Tadao Ando, Chapel on the Water
places materials and styles reminiscent of urban vernacular architecture
in a remote resort setting. With thick reinforced concrete walls, accented
with glass and steel I-beems, the structure is materially reminiscent of a
low parking tower. Surrounded on two sides by a concrete wall and by thick
brush on the other two, the chapel is enclosed in a well defined space that is
alien to the rolling hills and free-standing towers of Tomamu. Spread out before the building is
a large manmade water feature that attempts to reconcile the differences
between the modern looking structure and its natural setting.
Apart from the design being at odds with its surroundings, the design is also
at odds with the function of the building. A pair of exposed ventilation ducts
guards the entrance, reinforcing the resemblance of the structure to a
parking tower. Once through the entryway, one does not find straightforward entrance typical to many chapels.
The entrance to this structure is winding and convoluted. The path ascends and descends in a winding
fashion to a point that lies on the opposite side of a wall adjacent to the entrance.
One then descends down a broad concrete spiral staircase into the chapel.
In many Christian structures, a descent such as this leads to a tomb or catacomb,
much less an altar
Despite the conflict of the structure itself with its surroundings and
implicit symbolism, there is still a sense of continuity between the structure
and its explicit symbolism. The 'roof' of the structure is adorned with four
steel I-beam crosses that face one another and form an enclosed space. There is
one additional steel cross that stands in the water, creating an illusion of floating.
These crosses are the unmistakable markings of a Christian structure. When considering
the materials of the structure, one finds the structure is similar in many ways to the
gothic-styled Christian cathedrals of Western Europe. These cathedrals are commonly built of stone
with stained glass behind the altar. The chapel itself is built out
of the modern equivalent of that stone with a similar modernized, motorized sliding
glass centerpiece.
Ando's Chapel on the Water is the embodiment of conflict and resolution.
Though considered an architectural masterpiece, it has been almost annex by the surrounding resorts.
The program of the structure, fitting for a resort area, helps to resolve this conflict. While the materials and
design do not at first seem to fit the program or the surroundings, closer examination reveals a sort of harmony
between tradition and Art.