| Hector Berlioz (1803-1869) - Symphonie fantastique, Op. 14; Tristia, Op. 18
(1997)
|
| Cover Front |
Album |
|
| Composer |
Hector Berlioz (1803-1869) |
| Conductor |
Pierre Boulez |
| Orchestra / Ensemble I |
The Cleveland Orchestra |
| Length |
71:39 |
| Format |
CD |
| Genre |
Orchestral; Symphony |
| Chorus I |
Cleveland Orchestra Chorus |
| Chorus Master |
Gareth Morrell |
| Index |
111 |
| Out of Print |
No |
|
| Credits |
| Producer |
Helmut Burk |
| Label |
Deutsche Grammophon |
|
| Track List |
|
| 01 |
Symphonie fantastique, Op. 14: I. Rêveries - Passions (Largo. Allegro agitato e appasionato assai) |
13:58 |
| 02 |
Symphonie fantastique, Op. 14: II. Un Bal (Valse. Allegro non troppo) |
06:10 |
| 03 |
Symphonie fantastique, Op. 14: III. Scène aux champs (Adagio) |
15:23 |
| 04 |
Symphonie fantastique, Op. 14: IV. Marche au supplice (Alegretto non troppo) |
07:03 |
| 05 |
Symphonie fantastique, Op. 14: V. Songe d'une nuit du Sabbat (Larghetto. Allegro. Dies Irae. Ronde du Sabbat. Ronde du Sabbat ensemble) |
10:04 |
| 06 |
Tristia, Op. 18: I. Méditation religieuse: "Ce monde entier" |
04:34 |
| 07 |
Tristia, Op. 18: II. La Mort d'Ophélie "Auprès d'un torrent" |
06:33 |
| 08 |
Tristia, Op. 18: III. Marche funèbre pour la dernière scène d' "Hamlet" |
07:54 |
| Personal |
| Purchase Date |
11/20/1997 |
| Value |
$16.00 |
| Store |
BMG |
| Condition |
100% |
| Librettist |
Louise Belloc; Ernest Legouve |
| Nationality |
French |
| Premiere |
Paris Conservetoire, December 5, 1830 |
| Language |
French |
| Period |
Romantic |
|
| Details |
| Studio |
Masonic Auditorium, Cleveland |
| Catalog Number |
453 432-2 |
| Live |
No |
| Recording Date |
3/1/1996 |
| Spars |
DDD |
| Reissue |
No |
| Sound |
Stereo |
|
| Notes |
Tristia, Op. 18 written between 1831 and 1848 and based on a translation of a poem by Thomas Moore, and originally for a choir and seven winds. It was orchestrated in 1848. "La mort d' Ophelie" and "Marche funebre pour la derniere scene d'Hamlet" based on Shakespeare.
Notes, text and translation
Essay: "The Inventiveness of Genius" by Alain Paris
Interview: "Piere Boulez and the Music of Berlioz" |
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