Ludwig van Beethoven (1770-1827) - Cello Sonatas (1987)
Cover Front Album
Composer Ludwig van Beethoven (1770-1827)
Length 112:57
Format CD
Genre Cello Sonata; Chamber
Index 834
Out of Print Yes
Musicians
Musician Harrell; Ashkenazy
Credits
Producer Andrew Cornall
Producer Paul Myers
Label Decca
Track List
Cello Sonatas 50:00
01 Cello Sonata No. 1 in F Major, Op. 5, No. 1: I. Adagio sostenuto - 03:05
02 Cello Sonata No. 1 in F Major, Op. 5, No. 1: [I. Allegro] 14:49
03 Cello Sonata No. 1 in F Major, Op. 5, No. 1: II. Rondo: Allegro vivace 07:09
04 Cello Sonata No. 2 in G Minor, Op. 5, No. 2: I. Adagio sostenuto e espressivo - 05:52
05 Cello Sonata No. 2 in G Minor, Op. 5, No. 2: [I. Allegro molto e piu tosto presto] 10:53
06 Cello Sonata No. 2 in G Minor, Op. 5, No. 2: II. Rondo: Allegro 08:12
Cello Sonatas 62:57
01 Cello Sonata No. 3 in A Major, Op. 69: I. Allegro ma non tanto 13:41
02 Cello Sonata No. 3 in A Major, Op. 69: II. Scherzo: Allegro molto 05:10
03 Cello Sonata No. 3 in A Major, Op. 69: III. Adagio cantabile - 01:46
04 Cello Sonata No. 3 in A Major, Op. 69: [III. Allegro vivace] 06:51
05 Cello Sonata No. 4 in C Major, Op. 102, No. 1: I. Andante - 02:37
06 Cello Sonata No. 4 in C Major, Op. 102, No. 1: [I. Allegro vivace] 05:13
07 Cello Sonata No. 4 in C Major, Op. 102, No. 1: II. Adagio 02:00
08 Cello Sonata No. 4 in C Major, Op. 102, No. 1: [II. Tempo d'andante] 00:50
09 Cello Sonata No. 4 in C Major, Op. 102, No. 1: [II. Allegro vivace] 04:23
10 Cello Sonata No. 5 in D Major, Op. 102, No. 2: I. Allegro con brio 06:35
11 Cello Sonata No. 5 in D Major, Op. 102, No. 2: II. Adagio con molto sentimento d'affeto 09:41
12 Cello Sonata No. 5 in D Major, Op. 102, No. 2: III. Allegro 04:10
Personal
Purchase Date 8/8/2003
Value $35.98
Store eBay
Condition 100%
Nationality German
Period Classical
Details
Studio St. Barnabas Church, London
Catalog Number 417 628-2
Live No
Recording Date September 1984
Spars DDD
Reissue No
Sound Stereo
Notes
Lynn Harrell: Violincello
Vladimir Ashkenazy: Piano

Notes and illustrations

Essay: Misha Donat