Gabriel Fauré (1845-1924) - Orchestral Works, Vol. I
(1987)
|
Cover Front |
Album |
|
Composer |
Gabriel Fauré (1845-1924) |
Conductor |
Michel Plasson |
Orchestra / Ensemble I |
Orchestre du Capitole de Toulouse |
Length |
66:20 |
Format |
CD |
Genre |
Orchestral; Incidental Music |
Chorus I |
Ensemble Vocal Alix Bourbon |
Index |
760 |
Out of Print |
Yes |
|
Musicians |
Soloist |
Von Stade; Gedda |
|
Credits |
Producer |
Eric Macleod |
Label |
EMI |
|
Track List |
01 |
Pelléas et Mélisande, Op. 80: Prelude |
05:16 |
02 |
Pelléas et Mélisande, Op. 80: Andantino quasi allegretto (La Fileuse) |
03:01 |
03 |
Pelléas et Mélisande, Op. 80: Sicilienne |
03:30 |
04 |
Pelléas et Mélisande, Op. 80: Melisande's Song (Orch. Koechlin) |
03:12 |
05 |
Pelléas et Mélisande, Op. 80: Molto adagio (Mort de Melisande) |
04:45 |
06 |
Masques et Bergamasques, Op. 112: Ouverture |
03:38 |
07 |
Masques et Bergamasques, Op. 112: Pastorale |
03:50 |
08 |
Masques et Bergamasques, Op. 112: Madrigal, Op. 35 (Armand Sylvestre) |
04:53 |
09 |
Masques et Bergamasques, Op. 112: "Le plus doux chemin", madrigal, Op. 87, No. 1 (Armand Sylvestre) |
01:28 |
10 |
Masques et Bergamasques, Op. 112: Menuet |
02:46 |
11 |
Masques et Bergamasques, Op. 112: Clair de lune, menuet, Op. 46, No. 2 (Paul Verlaine) |
03:12 |
12 |
Masques et Bergamasques, Op. 112: Gavotte |
03:01 |
13 |
Masques et Bergamasques, Op. 112: Pavane, Op. 50 |
06:06 |
14 |
Shylock, Op. 57: Chanson |
02:34 |
15 |
Shylock, Op. 57: Entracte |
03:53 |
16 |
Shylock, Op. 57: Madrigal |
01:20 |
17 |
Shylock, Op. 57: Epithalame |
03:22 |
18 |
Shylock, Op. 57: Nocturne |
02:37 |
19 |
Shylock, Op. 57: Final |
03:56 |
Personal |
Purchase Date |
4/5/2003 |
Value |
$18.50 |
Store |
eBay |
Condition |
100% |
Nationality |
French |
Language |
French |
Period |
Romantic |
|
Details |
Studio |
Halle-aux-Grains, Toulouse |
Catalog Number |
7479382 |
Live |
No |
Recording Date |
6/13/1980 |
Spars |
ADD |
Reissue |
No |
Sound |
Stereo |
|
Notes |
Extensive notes, musical examples, texts and translations
Essays: Jean-Michel Nectoux |
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