Wolfgang Amadeus Mozart (1756-1791) - Requiem, K. 626 (Ed. Franz Süssmayr)
(1987)
|
Cover Front |
Album |
|
Composer |
Wolfgang Amadeus Mozart (1756-1791) |
Conductor |
Herbert von Karajan |
Orchestra / Ensemble I |
Wiener Philharmoniker |
Length |
52:08 |
Format |
CD |
Genre |
Vocal; Requiem |
Chorus I |
Wiener Singverein |
Chorus Master |
Helmut Froschauer |
Index |
356 |
Out of Print |
No |
|
Musicians |
Soloist |
Tomowa-Sintow; Molinari; Cole; Burchuladze |
|
Credits |
Producer |
Gunter Breest |
Label |
Deutsche Grammophon |
|
Track List |
01 |
Requiem, K. 626 (Ed. Franz Süssmayr): I. Introitus: Requiem |
05:24 |
02 |
Requiem, K. 626 (Ed. Franz Süssmayr): II. Kyrie |
02:38 |
03 |
Requiem, K. 626 (Ed. Franz Süssmayr): III. Sequenz: Dies irae |
01:53 |
04 |
Requiem, K. 626 (Ed. Franz Süssmayr): III. Sequenz: Tuba mirum |
03:53 |
05 |
Requiem, K. 626 (Ed. Franz Süssmayr): III. Sequenz: Rex tremednae |
02:21 |
06 |
Requiem, K. 626 (Ed. Franz Süssmayr): III. Sequenz: Recordare |
05:10 |
07 |
Requiem, K. 626 (Ed. Franz Süssmayr): III. Sequenz: Confutatis |
02:24 |
08 |
Requiem, K. 626 (Ed. Franz Süssmayr): III. Sequenz: Lacrimosa |
03:08 |
09 |
Requiem, K. 626 (Ed. Franz Süssmayr): IV. Offertorium: Domine Jesu |
03:50 |
10 |
Requiem, K. 626 (Ed. Franz Süssmayr): IV. Offertorium: Hostias |
04:34 |
11 |
Requiem, K. 626 (Ed. Franz Süssmayr): V. Sanctus |
01:51 |
12 |
Requiem, K. 626 (Ed. Franz Süssmayr): VI. Benedictus |
05:29 |
13 |
Requiem, K. 626 (Ed. Franz Süssmayr): VII. Agnus Dei |
03:40 |
14 |
Requiem, K. 626 (Ed. Franz Süssmayr): VIII. Communio |
05:53 |
Personal |
Purchase Date |
11/23/2001 |
Value |
$16.50 |
Store |
mdt.co.uk |
Condition |
100% |
Nationality |
Austrian |
Language |
Latin |
Period |
Classical |
|
Details |
Studio |
Grosser Saal, Musikverein, Vienna |
Catalog Number |
439 023-2 |
Live |
No |
Recording Date |
5/1/1986 |
Spars |
DDD |
Reissue |
No |
Sound |
Stereo |
|
Notes |
Anna Tomowa-Sintow: Soprano
Helga Muller Molinari: Contralto
Vinson Cole: Tenor
Paata Burchuladze: Bass
Notes, illustrations, text and translations
Essay: Alec Hyatt King |
|