Gustav Mahler (1860-1911) - Symphony No. 8 "Symphony of a Thousand"
(1999)
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Cover Front |
Album |
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Composer |
Gustav Mahler (1860-1911) |
Conductor |
Georg Solti |
Orchestra / Ensemble I |
Chicago Symphony Orchestra |
Length |
79:40 |
Format |
CD |
Genre |
Vocal; Symphony |
Chorus I |
Wiener Staatsopernchor |
Chorus Master |
Norbert Balatsch |
Index |
298 |
Out of Print |
No |
|
Musicians |
Soloist |
Harper; Popp; Auger; Minton; Watts; Kollo; Shirley-Quirk; Talvela |
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Credits |
Producer |
David Harvey |
Label |
Decca |
Catalog Line |
Legends |
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Track List |
01 |
Symphony No. 8 in E Flat Major "Symphony of a Thousand": Part I: Veni, creator spiritus: "Veni, Creator Spiritus" |
01:27 |
02 |
Symphony No. 8 in E Flat Major "Symphony of a Thousand": Part I: Veni, creator spiritus: "Imple superna gratia" |
04:25 |
03 |
Symphony No. 8 in E Flat Major "Symphony of a Thousand": Part I: Veni, creator spiritus: "Infirma nostri corporis" |
06:20 |
04 |
Symphony No. 8 in E Flat Major "Symphony of a Thousand": Part I: Veni, creator spiritus: "Accende lumen sensibus" |
04:43 |
05 |
Symphony No. 8 in E Flat Major "Symphony of a Thousand": Part I: Veni, creator spiritus: "Veni, creator spiritus" |
03:49 |
06 |
Symphony No. 8 in E Flat Major "Symphony of a Thousand": Part I: Veni, creator spiritus: "Gloria sit Patri Domino" |
02:37 |
07 |
Symphony No. 8 in E Flat Major "Symphony of a Thousand": Part II: Final Scene from Goethe's Faust, Part II: Poco Adagio - "Waldung, sie schwankt heran" (Chor und Echo) |
14:14 |
08 |
Symphony No. 8 in E Flat Major "Symphony of a Thousand": Part II: Final Scene from Goethe's Faust, Part II: "Ewiger Wonnebrand" (Pater Ecstaticus) |
01:35 |
09 |
Symphony No. 8 in E Flat Major "Symphony of a Thousand": Part II: Final Scene from Goethe's Faust, Part II: "Wie Felsenabgrund mir zu Füßen" (Pater Profundus) |
04:41 |
10 |
Symphony No. 8 in E Flat Major "Symphony of a Thousand": Part II: Final Scene from Goethe's Faust, Part II: "Gerettet ist das edle Glied" (Engel) |
03:03 |
11 |
Symphony No. 8 in E Flat Major "Symphony of a Thousand": Part II: Final Scene from Goethe's Faust, Part II: "Uns bleibt ein Erdenrest" "Hier ist die Aussicht frei" (Die vollendeteren Engel) (Doctor Marianus, die jungeren Engel) |
02:58 |
12 |
Symphony No. 8 in E Flat Major "Symphony of a Thousand": Part II: Final Scene from Goethe's Faust, Part II: "Höchste Herrscherin der Welt" "Dir, der Unberuhbaren" (Doctor Marianus) (Chor) |
08:07 |
13 |
Symphony No. 8 in E Flat Major "Symphony of a Thousand": Part II: Final Scene from Goethe's Faust, Part II: "Bei der Liebe, die den Füßen" (Magna Peccatrix) |
04:54 |
14 |
Symphony No. 8 in E Flat Major "Symphony of a Thousand": Part II: Final Scene from Goethe's Faust, Part II: "Neige, neige, du Ohnegleiche" (Una Poenitentium (Gretchen)) |
05:18 |
15 |
Symphony No. 8 in E Flat Major "Symphony of a Thousand": Part II: Final Scene from Goethe's Faust, Part II: "Blicket auf zum Retterblick" (Doctor Marianus; Chor) |
04:46 |
16 |
Symphony No. 8 in E Flat Major "Symphony of a Thousand": Part II: Final Scene from Goethe's Faust, Part II: "Alles Vergängliche" (Chorus Mysticus) |
06:43 |
Personal |
Purchase Date |
3/9/2002 |
Value |
$13.50 |
Store |
eBay |
Condition |
100% |
Librettist |
Johann Wolfgang van Goethe |
Nationality |
Austrian |
Premiere |
Hall I of the 1908 Munich Exhibition, September 12, 1910 |
Language |
German |
Period |
Romantic |
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Details |
Studio |
Sofiensaal, Vienna |
Catalog Number |
460 972-2 |
Live |
No |
Recording Date |
8/1/1971 |
Spars |
ADD |
Reissue |
Yes |
Sound |
Stereo |
|
Notes |
Heather Harper: Soprano I (Magna Peccatrix)
Lucia Popp: Soprano II (Una Poenitentium)
Arleen Auger: Soprano III (Mater Gloriosa)
Yvonne Minton: Contralto I (Mulier Samaritana)
Helen Watts: Contralto II (Maria Aegyptiaca)
Rene Kollo: Tenor (Doctor Marianus)
John Shirley-Quirk: Baritone (Pater Ecstaticus)
Martii Talvela: Bass (Pater Profundus)
Wiener Staatsopernchor, directed by Norbert Balatsch
Wiener Singverein, directed by Helmut Froschauer
Wiener Sangerknaben
Completed in 1906
Notes, text and translation
Essay: "Solti conducts Mahler" by Michael Kennedy
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