keebaugh@english.ufl.edu  

Cari Keebaugh

Graduate Student, Teaching Associate, Department of English, University of Florida

Syllabus for ENC1101 x2850:

Intro to College Writing


Fall 2006
Tue., Periods 2-3 (8:30 – 10:25am)
Thur., Period 3 (9:35 – 10:25am)
Classroom: CBD 312

Instructor: Cari Keebaugh
Phone: (office) 352-6650
Office: Rolfs 501
Office Hours: W Periods 4-5 (10:40-12:30) and other times by appointment
Email: keebaugh@english.ufl.edu
Homepage: http://www.nwe.ufl.edu/~keebaugh
Class Listserv: f06-2850@clas.ufl.edu
Course Description:
The purpose of this class is to cover the essential elements of writing clearly and effectively at the level of sentences, paragraphs, and entire arguments. At the level of sentences, we’ll focus on grammar and mechanical errors. We’ll also cover paragraph organization within essays, and finally, we’ll cover the fundamental types of arguments. We’ll also work on research, documentation, and avoiding plagiarism simultaneously with the rest of our work. The context of our class will be derived from pop culture, literature, and your own unique interests. By the end of the semester, I hope that each student will be a better writer, a better editor of his/her own work, and have a broadened view and awareness of rhetorics in the world at large.

Gen Ed Description:

ENC 1101 satisfies General Education requirements for both Composition (C) and Gordon Rule-Communication (E6). As a result, to fulfill the Composition (C) requirement, ENC 1101 offers instruction in methods of writing, conventions of standard written English, reading and comprehension skills, and ways of making expository and argumentative prose accessible to readers in varied situations. To satisfy the E6 Gordon Rule requirement, ENC 1101 also requires students to complete at least 6,000 words of evaluated writing during the semester.
Class Info:
Required Texts:
Lester Faigley and Jack Selzer, Good Reasons with Contemporary Arguments:
       Reading, Designing, and Writing Effective Arguments. 3rd edition. New York:
       Pearson Education, 2006.

Lester Faigley, The Brief Penguin Handbook. 3rd edition. New York: Pearson
       Education, 2007.


Class Schedule  

WEEK 1 – Welcome to my world!
Aug. 24 – Th: First Day of Class “Getting to Know You” (or Class Intro); Housekeeping (or, Reviewing the Syllabus)
 
WEEK 2 - “I’ll give you five good reasons…1, 2, 3, 4, 5!”
Aug. 29 – Tue: Diagnostic essay; Ch 1 – Arguments
Last Day to Drop Without Penalty
 
Aug. 31 – Th: Ch 2 (Reasons, Audience, & Theses); Thesis Writing
 
WEEK 3 - Could you use that in a sentence, please?
Sept. 5 – Tue: Ch’s 4 & 5 (Rhetorical/Visual Analysis); Rhetorical Triangle discussion
 
Sept. 7 – Th: Ch 6 (Definition Arguments) Please read the Scott McCloud section carefully!!!; Python Example; Assign and discuss Essay 1; “What is Text?” Discussion
 
WEEK 4 – “Every story is a tale of human failing.” No, actually, every story is an argument!
Sept. 12 – Tue: Ch 12 (Revision); PEER REVIEW SESSION
 
Sept. 14 – Th: Essay 1 due
 
WEEK 5 – Now what?
Sept. 19 – Ch 9 (Narrative Arguments); Edgar Lee Master’s Spoon River, Seuss’s Butter Battle Book, and Swift’s A Modest Proposal examples; Sign up for next week’s conferences
 
Sept. 21 – Th: Ch. 9 con’t; Assign and discuss Essay 2
 
WEEK 6 – Conferences
Sept. 26 – Tue: Conferences
 
Sept. 28 – Th: Conferences
 
WEEK 7 – Editors Wanted
Oct. 3 – Tue: Ch’s 16 & 17 (MLA & APA style guides); PEER REVIEW SESSION
 
Oct. 5 – Th: No class – I will be at a conference in NY
 
WEEK 8 – “I’ll make him an offer he can’t refuse…”
Oct. 10 – Tue: Essay 2 due; Ch 11 (Proposal Arguments); Assign and Discuss Essay 3
 
Oct. 12 – Th: Lib Orientation
 
WEEK 9 – Research: Not just for guys in lab coats!
Oct. 17 – Tue: Proposal Argument Examples (Swift & South Park); Chapter 15 (Research)
 
Oct. 19 – Th: PEER REVIEW
 
WEEK 10 – If a picture is worth a thousand words, what are a thousand pictures worth?
Oct. 24 – Tue: Ch 13 (Visual Rhetoric); In-class Visual Analysis Examples
 
Oct. 26 – Th: Essay 3 due
 
WEEK 11 – What you see isn’t always what you get.
Oct. 31 – Tue: Th: Chapter Handout (Web Design); Basic Coding, WYSIWYG Programs, Other Miscellaneous Cool Computer Stuff; Computer Ethics Discussion
 
Nov. 2 – Th: Web, con’t; “The MOO and You” discussion; Assign and discuss Essay 4
 
WEEK 12 - Ladies and Gentlemen of the Jury…
Nov. 7 – Tue: Ch 14 (Presentations)
 
Nov. 9 – Th: PEER REVIEW
 
WEEK 13:
Nov. 14 – Tue: Sign up for presentations; In-class presentation exercises
 
Nov. 16 – Th: Essay 4 due
 
WEEK 14:
Nov. 21 – Tue: No class; Thanksgiving
 
Nov. 23 – Th: Thanksgiving; No Class
 
WEEK 15:
Nov. 28 – Tue: Presentations
 
Nov. 30 – Th: Presentations
 
WEEK 16:
Dec. 5 – Tue: Presentations
 

Essay Guidelines and Descriptions

Essay 1: Definition Argument (Use pages 125-126 for help)
Pick ONE of the following prompts:

Option 1.) The University of Florida has decided to take one of your favorite classes off the books because it is not “academic.” Write an essay or letter addressing why this class is academic and should therefore stay on the books. Your paper should be 4-5 pages and follow the MLA citations style. You need to have at least two sources (one primary, one secondary) in an MLA-formatted bibliography.
1.) Pick your favorite class (sports psychology, literature through film, etc.). To help you choose, browse the Undergraduate Catalogue and choose a class that looks interesting, but one that has questionable academic standing. (For example, “Quilting 1103.”) YOU MUST GET YOUR TOPIC APPROVED BY ME BEFORE WRITING THIS ESSAY!
2.) Devise a strong thesis sentence. (For example, “This class should stay on the books because x, y, and z prove it to be an important academic class.”)
3.) Make sure that after the introductory paragraph, at least two full pages are devoted to defining “academic” and thus to setting up your argument. (For example; “Class X has been voted out of the Undergraduate Catalogue because it is not deemed “academic.” An academic class is one that…”)
4.) After defining “academic” in the first part of your paper, spend the rest of your paper delineating why the class you chose is actually academic and should therefore be put back on the books.
3.) Draft your argument. Bring draft to Peer Review session.
4.) Edit and write a final version.
~OR~

Option 2.)
Pick a song, movie, video game, etc., and explain why it is “text” by today’s broadly conceived notion of that term. Your paper should be 4-5 pages and follow the MLA citations style. You need to have at least two sources (one primary, one secondary) in an MLA-formatted bibliography.
1.) Jot down a few criteria that makes something “text” (ie, define “text”).
2.) Pick a movie, video game, song, music video, cartoon featurette, etc. YOU MUST GET YOUR TOPIC APPROVED BY ME BEFORE WRITING THIS ESSAY!
3.) Devise a strong thesis sentence (ie, “The video game Final Fantasy X is a great example of a ‘text’ because it has character development, a coherent storyline, and influences the player’s behavior while the player is interacting with the game.”).
4.) Draft your argument. Bring draft to Peer Review session.
5.) Edit and write a final version.  

Essay 2: Narrative Argument (Use pages 170-172 for help)

Write a narrative argument. Your paper should be 4-5 pages and follow the MLA citations style. The topic can be anything you choose to write about, but just as last time I must approve your topic before you may begin writing. See above steps to help you organize your time. The final page of this assignment must be a well-written explanation defending what argument your paper is making. Please Note: You may choose to either follow the book’s suggestion and write about an experience you’ve had, or you may choose to write a children’s fable. Either way, you must still provide a synopsis of your argument on the last page of your essay.

Essay 3: Proposal Argument (Use pages 207-210 for help)

In the spirit of Jonathan Swift’s “A Modest Proposal,” write a proposal argument addressing a serious problem by posing a humorous/impractical solution. Your paper should be 4-5 pages and follow the MLA citations style. You need to have at least two sources in an MLA-formatted bibliography.
1.) Reread “A Modest Proposal” and/or the Spoon River pieces we discussed in class
2.) Choose a worldwide, statewide, or communitywide problem to solve.
3.) Come up with a creative, exaggerated solution (don’t choose anything too weird, or step 4 will become VERY difficult.)
4.) Devise evidence and strong reasons as to why your solution, were it to be implemented, would solve the problem.
I’m looking for both creativity and logic in this paper. Your solution should be able to solve the problem you address, but it should be a non-implementable solution. For example, Swift suggested eating babies. That would most certainly solve world hunger, but is unethical and thus non-implementable.

Essay 4: Final Paper and Presentation

Revise ONE of your three previous essays and expand it into a 6-7 page essay. After this, turn your expanded paper into a 6-minute oral presentation. For the presentation, include at least one form of media (pictures, something to pass around, music, video clips, a PowerPoint presentation, etc.), and address the audience as though this were a formal conference presentation (that means you must dress up). If you wish to design a webpage instead of doing a presentation, you may petition to do so. See me for more details if this interests you.
1.) Choose your favorite paper from this semester.
2.) Revise your paper; elongate if necessary. Your final paper should be between 6-7 pages.
3.) Compose a presentation of the argument you pose in your final paper.
4.) Add media elements to your argument to strengthen it (these should not be random pictures or sound clips; instead, they should be symbiotically tied to your argument).
5.) Time yourself at home or with a friend; your presentation must be 6-7 minutes.
Your final paper will be due before the presentations, and presentations will run until the last day of class. You will receive separate grades for your paper and your presentation.

Essays, Reading Assignments, and In-Class Work
You are responsible for turning in all work on time. Late work will NOT be accepted.
 
Because I recognize the importance of each student writing about what interests you, for each essay you must have your topic approved by me before beginning to write. Anyone who fails to discuss their topic with me beforehand will receive and automatic grade of “E” on their paper.
 
Essays are due at the beginning of class on the assigned date – no exceptions. If you know in advance that you will be late to or missing class the day an essay is due, you need to speak with me about it and hand the essay in early. Detailed descriptions of the essay assignments can be found above and will be discussed in class before each essay is due.
 
As part of the writing process, for each essay you will write a draft that will be used for the peer reviews. These drafts should be as complete as possible and cover the entire scope of the assignment. The closer you are to having a “finished” paper, the more help you will receive both from your peer group and from me! Drafts will be graded based on effort and length and will count towards your final essay grade (see grading section below).
 
Drafts of essays obtained from Peer Review sessions should be either stapled or paper-clipped to the back of your finished essays. Essays that do not include peer-reviewed drafts will lose 100 points (see grading scale below).
 
You should complete readings and assignments included in the syllabus before coming to class on the date they are assigned, unless otherwise indicated. In general, when you are in class I will expect that you have something constructive and relevant to contribute. Consistently refusing to participate will impair your participation grade.
 
Quizzes
Quizzes will be given at my discretion. I believe it is insulting to you, as college students, for me to try to test you on reading about writing; therefore, I will not give pop-quizzes in class UNLESS it becomes obvious to me that the majority of the class is not doing the assigned reading. In this case, weekly quizzes will be given to test whether or not you’ve done your homework. You will not have the option of making up quizzes if you are absent or tardy. Grading for quizzes will fall under your participation grade.
   
Peer Reviews
Peer reviews are an integral part of writing. You cannot become a good writer without also becoming a good editor; therefore, all peer reviews are mandatory. If you miss a peer review, your final essay grade will be lower by one whole letter grade. Details for peer reviews will be discussed in class during the semester (see schedule below). Please bring three copies of your paper.


POLICIES:

Academic Honesty
Plagiarism is one of the many facets of writing that we will explore as a class. For now, however, please be advised that as a University of Florida student, your performance is governed by the UF Honor Code, available in its full form at http://www.dso.ufl.edu/judicial/procedures/studenthonorcode.php .
Plagiarism is a serious violation of the Student Honor Code. You commit plagiarism when you present the ideas or words of someone else as your own. Remember, you are responsible for understanding the University's definitions of plagiarism and academic dishonesty, which include the following:
    * Submitting all or part of someone else’s work as if it is your own.
    * “Borrowing,” without crediting the source, any of the following:
          o Any part of song lyrics, poetry, or movie scripts
          o Any part of another person’s essay, speech, or ideas
          o Any part of an article in a magazine, journal, newspaper
          o Any part of a book, encyclopedia, CD-ROM, online WWW page, etc.
          o Any idea from another person or writer, even if you express that idea in your own words.
    * “Borrowing” verbatim text without enclosing in quotation marks and citing the source.
    * Making "duplicate submissions" of assignments - that is, submitting work in one class that you also submit in another class
    * “Collaborating” or receiving substantive help in writing your assignment unless such collaboration is part of the given assignment (however, you may receive general advice from tutors, writing lab instructors, or OWL staff).
    * Failing to cite sources, or citing them improperly.
 
Important Tip: You should never copy and paste something from the Internet without providing the exact location from which it came.
 
We will be covering plagiarism (and how to avoid it) during the course of the semester. If you at any time have problems or questions regarding plagiarism, please come speak with me!
 
Students with Physical Disabilities
The University of Florida complies with the Americans with Disabilities Act. Students requesting classroom accommodation must first register with the Dean of Students Office. The Dean of Students Office will provide documentation to the student who must then provide this documentation to the Instructor when requesting accommodation.

Attendance, Participation, & Professionalism
Unlike some of your other classes, this course is skills-based. In other words, practice makes all the difference; the more you write, the better you become. Consequently, the effects of this course are cumulative, and frequent absences will affect your progress and success dramatically. Instruction during class is often spontaneous, so it is impossible to offer a recap of what transpired. Writing is process and experience-based. This is not a course where you can “catch up” on what happens during class. Attendance, in other words, is required.
 
Since we are all human, however, you may miss three class periods without penalty. However, after your third unexcused absence your final grade will be lowered one letter grade for every class period missed.
In addition to the instructor's policies, the policy of the University Writing Program is that if you miss more than six periods during the term, you will fail the entire course. The UWP exempts from this policy only those absences involving university-sponsored events, such as athletics and band, and religious holidays. If you must miss class for a university-sponsored event, you must let me know beforehand and provide me with a written explanation from your coach or director.
 
Even if you must have an excused absence (or decide to take one of your three “freebie” days), you are responsible for turning in early any work that will be due on the date you will be missing class. In-class assignments may not be made-up.
 
Being tardy three times will count as one unexcused absence. These accumulate quickly, so it would behoove you to show up on time!
 
Also, this class hopes to test your boundaries; some controversial topics may arise. You should treat each other (and your instructor) with respect and dignity during such conversations. Those who cannot conduct themselves in a mature manner will be excused from the classroom, counted as absent, and will lose participation points.
 
Cell Phones - The "I can hear you now" Clause
Unless there is a family emergency or other extenuating circumstance (which you will have discussed with me before class), there is no excuse for a cell phone ringing in class; it is disrespectful both to your instructor and to your fellow classmates. In other words, you MUST TURN OFF your cell phone. If your cell phone rings during class you will be counted as absent for that class.
 
The ‘Net Clause
During the sixteen-week semester, changes to the class schedule are bound to occur. Also, examples, assignments, and links of interest will be placed on the web. It is your responsibility to check my webpage often for updates. (I would recommend at least twice a day.) It is also your responsibility to sign up for the class listserv (we will go over how to do this). If you do not check the webpage and/or do not sign up to the listserv, any information you miss or assignments you fail to do will result in a failing grade for that assignment; the excuses “I forgot to check the webpage” and/or “I haven’t checked my email in a while” will not be accepted.

Grading

Here is the meaning behind the grades I assign to your papers (you should use the statements to determine how you might work toward a higher grade):
 
A - You did what the assignment asked for at a high quality level, and your work shows originality and creativity. Work in this range shows all the qualities listed below for a B, but it also demonstrates that you took extra steps to be original or creative in developing content, solving a problem, or developing a style. Since careful editing and proofreading are essential in writing, papers in the A range must be free of typos and grammatical or mechanical errors (papers with more than two or three errors cannot receive an A).
B - You did what the assignment asked of you at a high quality level. Work in this range needs revision; however it is complete in content, is organized well, and shows special attention to style. Papers with more than five typos, grammatical errors, or mechanical errors cannot receive a B.
C - You did what the assignment asked of you. Work in this range needs significant revision, but it is complete in content and the organization is logical. The style is straightforward but unremarkable.
D - You did what the assignment asked of you at a poor quality level. Work in this range needs significant revision. The content is often incomplete and the organization is hard to discern. Attention to style is often nonexistent or chaotic.
E - An E is usually reserved for people who don’t do the work or don’t come
to class. However, if your work is shoddy and shows little understanding of the needs of the assignment, you will receive a failing grade. (If you try to write your paper the night before it is due, it is likely that you will receive a grade of D or E.)
 
Please remember, one reason I have office hours is so that you can come talk to me about your papers, both before AND after they’ve been graded! This is why I’m here, and I’d love to help you!!! :-)
 
One note: I will NOT reconsider the grade I’ve given a paper because your “high school English/History/Biology/Gym teacher would’ve liked it.” My answer without fail will be “This isn’t high school.” (And yes, I have had people try that on me before!)
 
Helpful Things to Remember When Writing Papers
♦ One paragraph is no less than four sentences.
♦ Most MLA formatting questions can be answered using the Penguin Handbook.
♦ If your MLA formatting question isn’t answered in the all-knowing Handbook, try doing a Google search for your question (a search may look something like “MLA citation style comic books” if you wanted to figure out how to list a comic book in your bibliography).
♦ If both the Penguin Handbook and Google search fail you, see the last point on this list.
♦ A paper should always have a clear introduction, body, and conclusion.
♦ Not including a bibliography is a BIG no-no!!!
♦ A strong thesis sentence will make the rest of your paper much easier to write.
♦ Any argumentative paper you write will be stronger if you include and discuss at least one negative or impractical aspect of your argument. Generally, if your argument seems air-tight and perfect, people will be suspicious of it!
♦ ALWAYS reread what you’ve written after you’ve written it, and then at least once more a few days later.
♦ Tertiary sources are NOT acceptable sources for this class. We will discuss primary and secondary sources in the third week of class, but for quick reference:
          A primary source is an original document (The Hobbit, “The Purloined Letter,” The UF Handbook, The Constitution of the United States, the transcript from a Jerry Springer show, etc).
          A secondary source is something that someone has written about a primary source (“Bram Stoker's Dracula: A Psychoanalytic Allegory You Can Sink Your Teeth Into!”; Lacan’s “Purloined Poe” essays, etc.)
          A tertiary source is something that someone has written about something that someone else has written about a primary source (Wikipedia, Encyclopedias, most personal web pages, etc). These sources are great to get you started, but ONLY to get you started!
 
If you have a question, ASK! That’s what I’m here for!
 
Final Grade Calculation
The grading for this course will be based upon a 1,450-point scale and will be weighted as follows:
Attendance                                                     100
Participation, In-class Writing, Quizzes         300
In-class Assignments                                      50
Essay 1 Draft & Peer-review                         100
Essay 1                                                           100
Essay 2 Draft & Peer-review                         100
Essay 2                                                           100
Essay 3 Draft & Peer-review                         100
Essay 3                                                           100
Essay 4 Draft & Peer-review                         100
Essay 4                                                           200
Presentation of Essay 4                                 100
            --------------------------------------------------------------
Total Possible Points                                     1450


Grading scale for your final course grade:
A:    90-100
B+: 87-89
B:    80-86
C+: 77-79
C:    70-76
D:    60-69
E:     0-59
 
The University of Florida does not use “minus” grades (so you can’t receive a B- as your final grade for this course). However, other class work may receive minuses to allow for a more precise evaluation of the quality of your work. The University of Florida will give you credit for this course only if you receive a final grade of C or higher.
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